Pfemba maternity statue. Kongo (Yombe). Lower
Zaïre region. Wood, mirror.
© Africa-Museum, Tervuren
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Maternity figures are among the most
renown in African art because of their easily recognizable theme, their
classical form and their fine workmanship. Maternity figurines (pfemba) are
thought to have first been used in rituals addressing women's infertility,
and were decorated in a red paste. In Kongo iconology, the colour red
symbolizes transitional phases such as birth and death, as well as ritual
practices. The figures' mitred hairstyles are a reminder of a fashion once
popular among Mayombe men and women; the knitted bonnet or mpu suggests high
rank. Women from this region often had intricate patterns of scarification
on their bodies, made by rubbing substances into incisions in the skin.
These keloid tattoos increased a woman's sexual appeal without
scarifications a woman might be mocked because she was "as slippery as a
fish." Filed teeth also reflect the Kongo ideal of female beauty.
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