Symbolism
Opus 88 - Banjo

 
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      Symbolism of
    Materials
      Symbolism of
    Sounds
      Instruments
    Originating
    Outside
    North America
     
     
      The Publication
      The Author
     
      Preface
      Introduction
      Making Musical Instruments
      History
      Aesthetics
      Symbolism
      Conclusion
      Bibliography
     
      Index
      Instrument Makers
      Instruments
      Video Excerpts
      Audio Excerpts
     
      Other Web Sites
      Credits
     
     
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    This superb banjo is inlaid with mother-of-pearl on the neck and has a gold-plated metal resonator, which produces a striking visual effect.

      Banjo - CMC 85-62/S87-1525/CD95-176
    Banjo
    By George Kindness
    Toronto, Ontario
    1933
    Wood, gold-plated metal, mother-of-pearl
    Overall length: 85 cm;
    diameter of body: 34.5 cm;
    sides: 62 cm
    Gift of Phyllis Kindness

    It has only four strings; the melody string, usually attached to a peg on the side of the neck, is absent.

         

    George Kindness

    Born in 1888, George Kindness learned the luthier's craft in his native Edinburgh. After settling in Canada in 1911, he worked for the large Toronto workshop of R.S. William & Sons, where he made numerous violins. He owned his own workshop in Toronto from 1921 to 1931 and then worked as a cabinetmaker for the Robert Simpson Company for fifteen years, while continuing to make violins and other stringed instruments. In 1946, with the help of his son Robert, he again opened his own workshop. George Kindness built approximately 150 violins, many of which are played by professional musicians.

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