Making Musical Instruments
Opus 22 - Cymbals

 
Making Musical Instruments
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The Jazz
Ensemble

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  • Opus 20
  • Opus 21
  • Opus 22
  •  
      Medieval
    Instruments and
    Their Iconography
      Renaissance Instruments
      Baroque Instruments
      Substitute Materials
     
     
      The Publication
      The Author
     
      Preface
      Introduction
      Making Musical Instruments
      History
      Aesthetics
      Symbolism
      Conclusion
      Bibliography
     
      Index
      Instrument Makers
      Instruments
      Video Excerpts
      Audio Excerpts
     
      Other Web Sites
      Credits
     
     
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    T he practice of striking two metal discs together is very old indeed. Cymbals were used in ancient Mediterranean civilizations. However, cymbals as we know them today originated in seventeenth-century Turkey. Beginning in the eighteenth century, they were used in military bands in Europe; in the nineteenth century, Berlioz introduced them into the symphony orchestra. In the 1920s, they became indispensable to jazz and, somewhat later, to rock music.


      Cymbals Ride - CMC 92-49.1-10/S92-2913/CD95-646 Cymbals Crash - CMC 92-49.1-10/S92-2913/CD95-646 Cymbals Hit-Hat - CMC 92-49.1-10/S92-2913/CD95-646 Cymbals Chinese - CMC 92-49.1-10/S92-2913/CD95-646 Cymbales - CMC 92-49.1-10/S92-2913/CD95-646
    Cymbals
    By Sabian Ltd
    Meductic, New-Brunswick
    1991
    Bronze
    Ride cymbals: 52.5 cm;
    crash cymbals: 45 cm;
    Chinese cymbals: 50 cm;
    Hi-Hat cymbals: 35 cm

    Around 1620 in Constantinople, it appears a process was discovered to produce a robust alloy of copper and tin, which made it possible to create a thin, highly resonant disc. The process was handed down from generation to generation in the Zildjian family, whose name means "cymbal maker."

    In the late 1920s, some of the family immigrated to the United States, where the encounter between centuries-old expertise and dynamic new music inevitably affected the cymbal's development. As a result, a wide array of cymbals appeared. Nowadays, a drum set can include up to a dozen different cymbals.

    The heir of this know-how is the Sabian foundry, where top-of-the-line cymbals are still hammered out by hand, using an age-old technique. The master cymbal maker, Robert Zildjian, is a direct descendant of the family.

         

    Sabian Ltd
    http://www.sabian.com

    Raymond Ayotte Video Excerpt
    Sabian Ltd
    Meductic, New Brunswick
    1991

    Since 1981, the Meductic, New Brunswick, foundry has carried the Sabian name, which is actually an acronym made up of the initial letters of the first names of Robert Zildjian's three children.

    Robert Zildjian is the owner and president, and a descendant of the Armenian Zildjian family which, for generations, handed down the secret of the alloy used to make cymbals. Robert's father, Avedis, and his great-uncle Aram immigrated to the United States at the turn of the century. In 1968, when asked to establish a new branch of the American firm, Robert Zildjian settled in Meductic, a small town he had grown to like after fishing there several times. In 1979, Robert and his brother Armand divided up the company, and Robert became the owner of the Canadian branch. Combining acoustic research and specialized technology with ancestral know-how, Sabian has become a flourishing concern with an international reputation. Its cymbals are exported to all parts of the world.

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