Symbolism
Opus 58 - Flute

 
Symbolism
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      Symbolism of
    Sounds
      Symbolic
    Instruments
      Instruments
    Originating
    Outside
    North America
     
     
      The Publication
      The Author
     
      Preface
      Introduction
      Making Musical Instruments
      History
      Aesthetics
      Symbolism
      Conclusion
      Bibliography
     
      Index
      Instrument Makers
      Instruments
      Video Excerpts
      Audio Excerpts
     
      Other Web Sites
      Credits
     
     
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    Flutes can be made from a wide variety of materials. For a long time, the preferred material in Europe was wood, but ivory, porcelain and even glass flutes appeared, especially during the baroque period. The modern flute tends to be made of silver, gold, platinum or plastic. Bamboo plays an important role in Oriental cultures. In addition to wooden flutes, bone, ceramic and copper flutes are found in various parts of the world.

      Flute - CMC 85-226.1-3 Flute
    By Tony Bloom
    Canmore, Alberta
    Circa 1985
    Porcelain
    32.5 cm
    Inscribed with the artist's
    signature and seal
    Gift of the Massey Foundation

    Earth is a symbol of fertility, wealth and generosity. In many cultures, ceramic instruments express the desire to unite earth and music in order to supplicate the benevolent spirits and elicit their favour.

    Opus 59 - Flute

      Flute - CMC 91-543/S92-2297/CD95-640 Flute
    By Tony Bloom
    Canmore, Alberta
    1977
    Stoneware
    37.8
    Inscribed with the artist's
    signature and seal
    Gift of the Massey Foundation

    The ceramic flutes and drums presented here are often associated with various musical traditions. The breath that produces sound in the wind instrument is a symbol of life, while the beating of the drum symbolizes the human heart. The union of these two instruments has given rise to a French proverb:  "What comes from the flute goes back to the drum."

         

    Tony Bloom

    Tony Bloom

    Instrument making comes naturally to ceramist and musician Tony Bloom. Spurred by a desire to build a flute for his musician brother, he began experimenting with pottery and instrument making in Canmore. A few months after taking courses at the Banff School of Fine Arts, he became a professional artist and potter. Also a drummer, he has fashioned several darabukkas. Tony Bloom has produced bas-reliefs and sculptures in addition to musical instruments.

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